Perhaps nobody in the history of Christianity has so clearly understood the power of humor and wit to indicate truth as Gilbert Keith Chesterton did. G.K., as he was known, was a writer who was also dubbed the “prince of paradox” because of his uncanny ability to formulate short but insightful sentences that seemed, at first, to smack of wrongness only to give way to sublime truth. He was educated in both art and literature but never received a degree in either subject. Instead, he became associated with publishing houses and freelance journalism. He had been raised a nominal Christian but found himself fascinated by religious and philosophical subjects from a relatively young age. Consequently, he “drifted” closer and closer to the Church as the years wore on and his writings led him closer and closer to Truth. He was an apologist of a sort that was difficult to confront. His humility and compassion in the presence of his opponents presented them with ample opportunities to demonstrate their own conceit or ruthlessness if any was present in them. It wasn’t enough for G.K. to win arguments and debate–he truly wanted to love people even as he contradicted them.
G.K. wrote many books–both fiction and non-fiction–which are still reprinted and read today. Once he was asked by the writers of the British newspaper The Times to add his voice to a chorus of highly regarded thinkers and speakers on the subject: “What’s wrong with the world?” The great minds of the day were given room to make their arguments for inherent flaws of the world as they saw it. G.K., however, took a different approach and tendered the briefest of all responses when he wrote:
Though it was clearly a humorous and witty response, it was also a statement of G.K.’s deeply held Christian convictions. In this witty response, G.K. was able to insist upon the fallen nature of humanity and its own need for redemption from some outside source. The humor of the letter enabled its message to slip by the intellectual defenses of the readers and lodge a particularly potent paradox within their minds.
G.K. can only truly be understood by reading his work and contributions to the faith. Accordingly, I will close with a selection of some of my favorite quotes:
“By a curious confusion, many modern critics have passed from the proposition that a masterpiece may be unpopular to the other proposition that unless it is unpopular it cannot be a masterpiece.”
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